{"id":347,"date":"2020-08-03T13:21:00","date_gmt":"2020-08-03T13:21:00","guid":{"rendered":"https:\/\/mihaiteodor.com\/?p=347"},"modified":"2020-12-15T20:24:43","modified_gmt":"2020-12-15T17:24:43","slug":"interviu-adevarul-ro","status":"publish","type":"post","link":"https:\/\/mihaiteodor.com\/en\/interviu-adevarul-ro\/","title":{"rendered":"Interviu: adevarul.ro"},"content":{"rendered":"

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Interviu: ADEVARUL.RO<\/h1>\n

Designerul Mihai Teodor spune c\u0103 se pot face lucruri frumoase \u00een orice cas\u0103, de s\u0103rac sau de bogat, c\u00e2t\u0103 vreme clientului nu-i e fric\u0103 s\u0103 experimenteze.<\/h3>\n

\u201eAdev\u0103rul”: \u00ce\u0163i plac casele pe care \u015fi le fac rom\u00e2nii?<\/p>\n

Mihai Teodor: Nu prea \u00eemi plac. \u015ei-am observat c\u0103, \u00een general, nici oamenilor nu prea le plac. Nici m\u0103car cei care locuiesc \u00een ele nu sunt prea m\u00e2ndri de cabanele rustice, cu b\u00e2rne de lemn, ca \u00een Austria, \u015fi de decora\u0163iunile de tip american, ca \u00een \u201eBeverly Hills 90210″, de exemplu. Avem o cultur\u0103 estetic\u0103 s\u0103rac\u0103, comunismul a umplut cu ghetouri o pr\u0103pastie \u00eentre noi \u015fi arhitectura interbelic\u0103, iar asta a dat na\u015ftere unei derute generale. Multe persoane se trezesc la 40-50 de ani, cu vise \u015fi bani pentru acestea, dar f\u0103r\u0103 o cultur\u0103 necesar\u0103. Nu cred c\u0103 suntem reticen\u0163i la nou, cred mai degrab\u0103 c\u0103 majorit\u0103\u0163ii \u00eei e fric\u0103 s\u0103 experimenteze. Frica asta o v\u0103d, din p\u0103cate, \u015fi la unii arhitec\u0163i \u015fi designeri, care proiecteaz\u0103 banalit\u0103\u0163i u\u015for de v\u00e2ndut. A copia o cas\u0103 din Mallorca e mai bine dec\u00e2t a copia casa vecinului, dar oare acea cas\u0103 te satisface pe deplin?!<\/p>\n

Care sunt gre\u015felile pe care le fac rom\u00e2nii c\u00e2nd \u00ee\u015fi amenajeaz\u0103 casele?<\/p>\n

\u00cen momentul \u00een care construie\u015fti ceva, undeva e o urm\u0103 de fric\u0103 – frica de a pierde banii sau de a face ceva pentru care s\u0103 fii criticat sau ridiculizat. C\u00e2nd sim\u0163i asta, ui\u0163i de art\u0103, ui\u0163i de design, ui\u0163i de civiliza\u0163ie, cultur\u0103, progres. Nu vrei dec\u00e2t ca frica s\u0103 dispar\u0103. Dac\u0103 decizi s\u0103 copiezi o cas\u0103 gata f\u0103cut\u0103, ea dispare instantaneu. Ce poate fi mai simplu de at\u00e2t? Cred c\u0103 frica de a \u00adgre\u015fi e cea mai mare gre\u015feal\u0103 pe \u00adcare o fac rom\u00e2nii. Iar de aici pornesc multe altele.<\/p>\n

Ce te inspir\u0103 \u00een munca ta, fie c\u0103 vorbim de obiecte, fie c\u0103 ne referim la proiectele de amenaj\u0103ri?<\/p>\n

Acum, c\u0103 m\u0103 \u00eentrebi, \u00eemi dau seama c\u0103 nu \u015ftiu ce m\u0103 inspir\u0103. \u00cen atletism, citeam undeva, dup\u0103 mult exerci\u0163iu, ajungi \u00eentr-o stare care se nume\u015fte \u201ethe flow”, plutire. Atunci, totul vine de la sine, m\u00e2inile \u015fi picioarele se mi\u015fc\u0103 perfect. Mi s-a \u00eent\u00e2mplat, de dou\u0103, trei ori, s\u0103 vin\u0103 totul de la sine; solu\u0163iile erau de fiecare dat\u0103 la \u00eendem\u00e2n\u0103, de parc\u0103 st\u0103teau la coad\u0103. Nu \u015ftiu \u00eens\u0103 cum s-a \u00eent\u00e2mplat; dac\u0103 a\u015f \u015fti, probabil a\u015f fi un designer mult mai bun.<\/p>\n

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Care-\u0163i sunt stilurile cele mai pe plac?<\/span><\/p>\n

Ador minimalismul modern arhitectural, simplu, \u00een care linia are o fine\u0163e aparte, func\u0163iile sunt evidente, structurate, ierarhizate. Minimalismul japonez, de asemenea, e fantastic. La polul opus, neobarocul, care apare \u00een toate revistele, s-a lipit foarte pu\u0163in de mine, probabil pentru c\u0103 nu reu\u015fesc s\u0103 v\u0103d \u00een el altceva dec\u00e2t estetic\u0103; dup\u0103 mine, un stil de design trebuie s\u0103 fie mai mult, s\u0103 fie un stil de via\u0163\u0103. \u00adG\u00e2nde\u015fte-te la stilul mediteraneean, contemporanul apartamentelor din New York sau psihedelicul anilor ,60. Sunt mult mai mult dec\u00e2t ni\u015fte culori \u015fi ni\u015fte lumini, sunt cultur\u0103, emo\u0163ie, realit\u0103\u0163i, viziuni. Dar \u00een fond, fiecare cultur\u0103 are arta pe care o merit\u0103. C\u00e2t\u0103 vreme m\u00e2nc\u0103m fast food \u015fi avem \u00eempresia c\u0103 e m\u00e2ncare, iar \u00eent\u00e2lnirea cu prietenii se d\u0103 pe Facebook, e \u015fi normal s\u0103 fim mai atra\u015fi de aparen\u0163e, a\u015fa cum e neobarocul, \u015fi nu de substan\u0163a dat\u0103 de reprezent\u0103ri sincere ale liniei, formei, culorii.<\/span><\/p>\n

Nu e problematic s\u0103 faci piese de mobilier unicat \u00een \u0163ara \u00een care lumea alearg\u0103 dup\u0103 produse ieftine \u015fi nu neap\u0103rat cu personalitate?<\/span><\/p>\n

Ieftinul \u015fi designul de calitate nu sunt no\u0163iuni antagonice. Philippe Starck (cunoscut designer francez – n.r.) are un scaun din carbon g\u00e2ndit pentru marea mas\u0103. Cost\u0103 doar 9 euro. Karim Rashid (unul dintre cei mai prolifici designeri din prezent) a devenit faimos cu un co\u015f de gunoi. Exist\u0103 curentul designului democratic, adic\u0103 design pentru mase, nu doar pentru Marilyn Monroe. Eu visez s\u0103 proiectez o pies\u0103 de mobil\u0103 pentru omul s\u0103rac, chiar omul de la \u0163ar\u0103. S\u0103 zicem un scaun: s\u0103 fie puternic, s\u0103n\u0103tos, dar \u015fi u\u015for, confortabil \u015fi, \u00een primul r\u00e2nd, ieftin. Oricum, atunci c\u00e2nd proiectez, \u00eencerc s\u0103 \u00eemi amintesc c\u0103 banii sunt tot timpul o problem\u0103. Designerii, mai ales studen\u0163ii \u015fi proaspe\u0163ii absolven\u0163i, \u015fi-au creat o busol\u0103 care indic\u0103 alte realit\u0103\u0163i, nu pe cea din Rom\u00e2nia. At\u00e2ta timp c\u00e2t lucrezi pentru Rom\u00e2nia, ar fi bine s\u0103 te raportezi la ce ai. Ca designer, c\u00e2t\u0103 vreme nu ui\u0163i pentru cine lucrezi, Marilyn Monroe sau Nea Mitic\u0103, n-ar trebui s\u0103 \u00eent\u00e2mpini mari probleme. Lucruri bune po\u0163i scoate \u00een ambele cazuri. „Ca designer, c\u00e2t\u0103 vreme nu ui\u0163i pentru cine lucrezi, Marilyn Monroe sau Nea Mitic\u0103, n-ar trebui s\u0103 \u00eent\u00e2mpini mari probleme. Lucruri bune po\u0163i scoate \u00een ambele cazuri.” Indiferent c\u0103 e vorba de o simpl\u0103 pies\u0103 sau de amenajare a unei case ori a unei camere de hotel, Mihai Teodor spune c\u0103 \u00eencearc\u0103 mereu s\u0103 creeze altceva. Evit\u0103 proiectele asem\u0103n\u0103toare, care-l fac s\u0103 simt\u0103 c\u0103 bate pasul pe loc. Amenaj\u0103ri pentru Barcelona – Mihai Teodor are 27 de ani \u015fi a absolvit Design industrial, la Universitata de Arte din Ia\u015fi, \u00een 2004. – Din 2006, firma lui, TeoDesign (Ia\u015fi), colaboreaz\u0103 cu AR. Interiors Barcelona pe diverse proiecte, de la concept la desenele finale pentru execu\u0163ie. – \u00centre 2005 \u015fi 2006, a colaborat cu Atelier DHC din Florida, SUA, \u00een domeniul designului industrial. – \u015ei-a pus semn\u0103tura pe diverse proiecte de amenajare din Ia\u015fi, \u00eentre care: bar-restaurant\u00a0 Hotel Unirea (2002), Faron Club (2005), Motor Club (2006).\u00a0 – Are clien\u0163i at\u00e2t din Rom\u00e2nia, c\u00e2t \u015fi din str\u0103in\u0103tate: SUA, Spania sau Maroc.<\/span><\/p>\n

Citeste interviul si pe:\u00a0\/adevarul.ro\/life-style\/stil-de-viata\/designerul-mihai-teodor-cand-lucrez-incerc-nu-uit-banii-problema-1_50b9fe097c42d5a663ae7607\/index.html<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Interviu: ADEVARUL.RO Designerul Mihai Teodor spune c\u0103 se pot face lucruri frumoase \u00een orice cas\u0103, de s\u0103rac sau de bogat, c\u00e2t\u0103 vreme clientului nu-i e fric\u0103 s\u0103 experimenteze. \u201eAdev\u0103rul”: \u00ce\u0163i plac casele pe care \u015fi le fac rom\u00e2nii? Mihai Teodor: Nu prea \u00eemi plac. \u015ei-am observat c\u0103, \u00een general, nici oamenilor nu prea le plac. […]<\/p>\n","protected":false},"author":1,"featured_media":150,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"INTERVIU: ADEVARUL.RO<\/span>\r\n\r\n \r\n\r\nMihai Teodor: Nu prea \u00eemi plac. \u015ei-am observat c\u0103, \u00een general, nici oamenilor nu prea le plac. Nici m\u0103car cei care locuiesc \u00een ele nu sunt prea m\u00e2ndri de cabanele rustice, cu b\u00e2rne de lemn, ca \u00een Austria, \u015fi de decora\u0163iunile de tip american, ca \u00een \u201eBeverly Hills 90210\", de exemplu. Avem o cultur\u0103 estetic\u0103 s\u0103rac\u0103, comunismul a umplut cu ghetouri o pr\u0103pastie \u00eentre noi \u015fi arhitectura interbelic\u0103, iar asta a dat na\u015ftere unei derute generale.\r\n\r\nCiteste mai mult:\u00a0\/adevarul.ro\/life-style\/stil-de-viata\/designerul-mihai-teodor-cand-lucrez-incerc-nu-uit-banii-problema-1_50b9fe097c42d5a663ae7607\/index.html<\/a>","_et_gb_content_width":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-347","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nMihai Teodor Presa - Interviu in Adevarul.ro despre design-ul de interioare<\/title>\n<meta name=\"description\" content=\"Interviu acordat pentru Adevarul de Weekend, in 2012, referitor la designul de interioare. 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